![]() ![]() Asher Levin is alert on some level to how absurd this story is and to roll with the camp. There’s a scene with these lunatics becoming so distracted by their horniness that having sex with one another hilariously becomes an opportunity for Scott and Jane to flee, also suggesting that K. The same goes for Lola, developing an inappropriate sexual crush on the 17-year-old Jane while not afraid to resort to torture once either hostage steps out of line. It’s a loony turn with Emile Hirsch aware of what kind of junk he is participating in. They deliver livewire turns as entertainingly despicable characters, with Victor ranting about feminist culture and filling bodies with more holes than SpongeBob Squarepants. Victor and Lola have set up the demolition workers to take the fall, forcing Scott and Jane to drill into the patio in search of unknown goods. Suddenly, the home is overrun by white trash rednecks played by Emile Hirsch and Liana Liberato, injecting Dig with an abundance of sleaziness that works far better than the god-awful dramatic attempts on display between an estranged father-daughter pairing. He also brings his daughter along in hopes of reconnecting throughout working. ![]() Nevertheless, some work comes Scott’s way demolition work on an isolated home. Naturally, she maintains a grudge against her father, who struggles to connect with her and doesn’t put much effort into learning a new way of communicating. ![]() One year later, Jane no longer speaks and has severe hearing issues, forced to communicate via sign language. The situation leads to a grisly shooting of his wife, having painted this father as an unlikable nutjob whose rage brought irreparable damage to the family. Moments later, an ill-fated interaction occurs at a gas station where Scott again loses his temper, this time over a stranger cutting him off. It’s a shame that this is their first collaboration, which gets off to a bad start with Scott Brennan (Thomas Jane) losing his cool alongside his petrified wife (Ashleigh Domangue) while storming into a high school party playing the tough guy role, trying to get his daughter 16-year-old daughter Jane (Harlow Jane) away from a touchy boyfriend. Asher Levin’s Dig (coming from a script by Banipal and Benhur Ablakhad) contain the acting debut of Thomas Jane’s daughter Harlow Jane, but they also play father and daughter in this tonally confused misfire. Unfortunately, those gifts come at a high cost, but as Thor points out, it’s either cooperate voluntarily or have what the aliens want taken by force, an arrangement that seemingly only Richard Nixon is okay with as long as he gets to be the POTUS one day (and Sarah Paulson‘s Mamie Eisenhower is okay with so long as she’s more popular than Eleanor Roosevelt).Starring Thomas Jane, Harlow Jane, Emile Hirsch, Liana Liberato, Ashleigh Domangue, and Makana David.Ī widowed father and his daughter, whose house is up for demolition, are taken hostage by a dangerous couple who won’t stop until they retrieve what lies beneath the property. As it turns out, humans could have landed on the moon, it’s just not worth the effort to do so because there’s no scientific benefit that won’t come from the inside of Valiant Thor’s metal briefcase. ![]() Except, in the world of Death Valley, that’s exactly how it happened, and that pristine sound stage (presumably used to fake other moon landings since then, and kept ready to fake Elon Musk’s first successful moon landing) is one of Calico’s favorite spots when she needs to get away from the world of forced impregnation, blinding white lights, and weird gelatin cube dinners. That story, of course, is the moon landing, which as we all know was famously faked in a sound stage at Area 51 by Stanley Kubrick. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |